29 May 2008

The definition of "eerie" . . .

. . . is radio station not on air.

I know, I know. I'm trying *desperately* to excercise some judgment these days. Trying (not always entirely successfully) to behave like an adult with a *real* job who (like it or not) kind of *is* a public figure, by default. Negotiating the delineations between my "personal" and my "work" life. It's never really much mattered before. Now it does. I know that.

But I *do* think I *can* safely say that for reasons I don't know, the station's main transmitter got knocked off the air for about an hour or so today.

What's eerie about it is that you keep moving forward just like nothing's happened, knowing you might go back on air as normal with little or no notice. Plus, normally, you walk out into the foyer and there's the signal playing through the loudspeakers, and yet, today, there's silence thick enough to cut. I can only imagine, after spending over a year practically living in a radio station, that it's something like what outer space sounds like.

So those of us who are working on stories and stuff just keep working on stories, not knowing whether anyone will hear them, in the end. It's like a giant excercise in the vacuum world of "what if?". We've all got stuff we're working on, and it *all* matters.

Good thing we do keep working on it.

The transmitter goes back on air shortly before my broadcast, and it's positively chock-full-o-news. Some of it very late breaking.

Life is good.

26 May 2008

Rechy's memoir.

I've read *perhaps* a slight majority of John Rechy's novels over the years. Usually in reprint; and far more often than bought, safely borrowed from some library or other while going on trying to survive my own crazy damn life, let alone make sense of it all.

Yes, Gore Vidal said something rather nice about him. Good for him. I love Vidal. But I can't pretend to have read him like I have read Rechy.

Rechy's fiction *connected* with me in a way that I could never *quite* pinpoint, besides having come from the same place he came from, and besides having lived a life bearing some passing resemblance to a similarity with the guys he described in his always seemingly episodic and fragmentary novels, which may (or may not) have been just so semi-autobiographical.

"City of Night" I hardly need mention -- after all, it was *the* seminal gay-written novel about gay life -- although it definitely dates from an era predating my own, with sexual roles rigidly predetermined.

"Rushes" made me view the world of the gay bars critically, *long* before I got hired as doorman at Foxes by the very bartender who wound up leaving his job of over a decade after selling me 13 martinis in a single night.

"This Day's Death" I know was one of his own least favourite works, but just the details of El Paso ("I know that very cottonwood") made my life in El Paso worth living at the time.

"The Sexual Outlaw" impressed me with the clear movement within the narrator's perspective from "accepting victim" to "outraged advocate", and even "agitator".

"Numbers" -- well, I leave that to your imagination.

Rechy's memoir is, I believe, perhaps his most important work to date.

For his semi-fictionalized characters you almost never know what they are really feeling or thinking. If you read *very* carefully you get a *sense* of it, but *never* more than *just* a sense. Furiously as he may have written at whatever time, his leading protagonists remain somewhat ghostly figures, and it's left to you to figure out how much, and what, may be real, and what may be fiction. A risky but courageous stance on his part, which appears to have simultaneously protected his sources and opened him to decades of utterly vitriolic criticism on false charges of having "made it all up".

His memoir (and how many *men* write "memoirs", as opposed to "autobiographies"?) provides all the subtext, all the backstory, all the footnotes that you *never* got reading his novels. Or at least, just enough, that you *can* check him out.

He speaks in no uncertain tones of absolutely real places -- and far more importantly -- absolutely real people.

In fact, two persons that I knew in person as a child, and whom both of my parents knew far better than me, are named, specifically, in his memoir.

Gawd help me the day I call my mother and my aunt to say "I just saw so-and-so's name in a book by John Rechy". But there you have it.

A third person whom a freind of mine (I don't have many) lived with for a brief spell many years later is also named.

I've checked his facts, by now, with multiple sources.

John Rechy's absolutely, positively not lying.

His story, as he tell it here, appears to be completely true.

Long live John Rechy.

The book is entitled -- uncharacteristically awkwardly, but also appropriately -- "About My Life and the Kept Woman".

I highly recommend it.

As to the lesson that I take away from the book, it has to do with Marisa Guzman's long-forgotten statement, which I've only shared with one person through private email.

If you want to know what it is, then you'll just have to read the book.

I *very* highly recommend it.

(You might not "get it" if you're not a fag -- be warned.)

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21 May 2008

A Jihad for Love.

Haven't seen the movie but Amy Gooodman ran a fascinating interview about it today on Democracy Now. All about gay and lesbian muslims.

For once I didn't mind her breaking late (which she did, by roughly four minutes).

The film's website is here.

09 May 2008

Eileen Welsome's story.

On money and politics in City Government:

Chumminess with Mayor keeps Architect's Fortunes Rising: Chavez Ignores Staffer's Recommendations that Schiff be Fired
And now for a supplemental story, also by Eileen Welsome:
A $164,000 Deal?
[Considering the advice of a trusted freind, I am allowing myself the luxury of a single edit. -- 5.15.8]

08 May 2008

Third format breaker . . .

. . . in as many days. By the time the network goes back to the standard clock, that'll be a format breaker in itself.

Ba-dump-bum.

Yeah it was a really amazing story but sheeeiit all I care about is the clock, sometimes.

Jim got back today.

And Thursdays seem to be the most stressful days generally.

Jim throws me a *really* good story. It's literally, like, "thud", as the twenty-page, as-yet-unpublished article by a Pulitzer Prize-winner lands on my desk. The joke is that I love reading EISes, because somehow, it's true. This isn't quite an EIS, but it's about as courageous and complicated a story as I could ever hope to be asked to have anything to do with. It takes me hours to read, what with all the standard distractions.

On top of which there's another story involving mortages and stuff (I *hate* the economy. I *hate* it!) which I need to get a voice or two on. I do, and then, of course, I have to get the Congresswoman's voice on it as well, and just exactly like I know they will, they get back to me with a prepared statement which is completely irrelevant *precisely* one minute before deadline.

I'm going to start telling them not that my deadline's "five o'clock" but that it's *actually* "4:53". I know what'll happen if I do -- I'll get their responses at 4:52. instead of 4:59. I'm serious! As it is, I have to re-read the headline for the second hour (which is hour one) *amended* to point out the fact that yes, eventually, they *did* get back to us, before deadline, or they can say we misrepresented them. Unfortunately I think there are people in positions of power out there who don't take us totally seriously and *assume* we will misrepresent them. It ain't true. At least not on my watch.

I am therefore OFFICIALLY moving the "deadline" forward now for "All Things Considered". I am doing this by virtue of the authority fully vested in myself as the only total freakshow the powers that be will allow to run the board during afternoon drivetime for reasons I can not begin to fathom. The deadline for afternoon first hour (which is hour two) stories is now 4:53.

Trick is the long, involved, complicated "money in politics" type story that we hope to help to *break* is running *waaay* behind. I'm literally editing it at 4:55. Jim runs interference despite having his own things to edit before going to air. He arranges with the Freeform Host (Travis Parkin, who brought in an amazing group -- Asylum Street Spankers -- for a live broadcast from Studio A this afternoon). He calls the guy who's got the "breaking" story embargoed while he or someone he works with works on "rolling it out" on their website first. (It's called "protecting sources", I believe -- not in a "Deep Throat" kind of way but just as in "not stealing stories from other Journalists who've done the preliminary groundwork to your *helping* to break it".)

The stress is incredible.

I love it.

The only monkeywrench is that for whatever reason DN is running on CMP on LS-1 instead of on CD for reasons I don't know anything about when I take over CR. It *definitely* throws me. I have to line shit up and air it almost off the bat from CMP almost as soon as I start my broadcast. And the carts are in place but not cued up the way *I* cue them up. So DN ends and there are seconds of silence. Finally I go ON AIR to announce the frequencies and PAD, BABY PAD while I get the carts cued up, but only in time to throw off the whole log for the rest of my broadcast, more or less, but way worse in the first quarter of it.

Since I'm crunching on a big important story that winds up not airing anyway Jim helps me out by writing out some billboards for me. Only -- apparently -- we process text differently in our heads. I get a big old wall of text. I read it. The whole thing. Aparently he skims it as he goes and just hits the main points. I read whatever's put in front of me. Different approaches. Different tricks. Finally I run out of time and just cut to network for headlines.

The big story airs tomorrow morning.

Jeezus. If only people could know what we go through sometimes.

Not that I'd trade it for the world.

I wouldn't.

07 May 2008

Two format breakers.

In as many days.

It would drive me insane, if I hadn't had a *really* good time last night.

Yesterday -- the network ran a format breaker which I apparently failed to notice thanks to the North Carolina and Indiana Primaries. It completely screwed up my backtiming, since I was running on a rundown from earlier in the day. Yeesh, I sounded like a fool near the end. But I fit it all in! Somehow.

Then today they ran like a fifteen minute story about transgendered three-year-olds. I'm serious. It was an *amazing* story. I was glued to the board just listening to it. Decades worth of backstory on the ethics of psyciatric diagnoses and treatments for homosexuals and stuff. But I was literally up against 6:48:27 before I realised -- they're just *not* going to break for my final weather.

Just when you think you've learned all the curveballs the network can throw at you -- surprise!

Man, I love radio.

05 May 2008

A good day . . .

. . . is any day I'm on the air.

(To the tune of that song from "Open Season". You know the one.)

Seriously, though.

Slept through most of the weekend just catching up on sleep lost running myself ragged chasing that stoopid, stoopid forest fire, driven by the stoopid, stoopid wind. Still not completely recovered but hell -- I've got to sound good and calm when I'm actually talking to people ON AIR. The listeners don't want to hear "I've had a hell of long day", they want to hear "here's what the fire did". Thank gawd the fire didn't do anything more dramatic than it did when it jumped the containment line last week and burned down 50 houses. Bastard.

It's a balancing act -- there are *so* few people working in the newsroom, and we've got *so* much to cover, just between the three of us! It's not even remotely funny. We all repeatedly go through this thing -- like a cycle. Mondays it's more about "just do what you can, and don't run yourself into the ground, 'cause that won't serve the listener well, in the long run". We all understand that, and try to live up to it. But somehow or other, by Friday we're all either involved in two-hour-long in-studio interviews that we have to edit down to seven minutes within the next hour or we're driving all over the state to get voices on tape no one else has. Then we go home and collapse for a weekend, then come back. Like teletubbies. "Again! Again!"

I swear -- I've got a masochistic streak in me. ;)

But today was definitely a good day.

03 May 2008

Trigo update.

Fifty additional homes are confirmed lost in the Sherwood Forest area by the Trigo Fire.

That, in addition to nine homes, nine outbuildings, and two mobile homes lost prior to the fire's downgrade from a Type II incident to a Type III incident.

That, according to the U-S Forest Service.

The fire, which has now burned an estimated 13,670 acres in the Manzano Mountains has since been upgraded to a Type I incident.

Colon endorses Obama.

NM State Democratic Party Chairman Brian Colon is endorsing Illinois Senator Barack Obama for the Democratic presidential nomination.

That, according to a press release from the state Democratic Party sent out at 11 this morning.

The endorsement is confirmed by the Obama campaign.

Verification . . .

. . . that I do, in fact, have at least one anonymous reader remaining follows:

02 May 2008

Trigo fire, part the second.

Long day. How better to recount it than chronologically.

Up at six. Leave at Seven for the Trigo Fire. An event's scheduled at the Tijeras Ranger Station. I get there early, just keep driving toward the fire. Stop at a little general store for coffee. Trade gossip on the fire with everyone else there. Continue driving down 337 'til I hit the "T" with 55. Last time I turned right to go down to Torreon, Manzano, and eventually Mountainair. This time that road was closed -- authorities weren't letting *anybody* in to the evacuation zone. Turned left instead, toward Estancia. Maybe sixteen miles later discover that's a charming little town as well. Humanity (if it survives) will bemoan the day the mobile home was invented.

I've come to Estancia to find the shelter that the Red Cross has set up. It isn't easy -- I'm guessing anyone who *should* be there knows their way around the small towns on the back roads of New Mexico. I seem to have several different addresses for it. Not helpful. Wander into the County building twice 'cause that seems the best candidate among the wooden churches and houses in the little town out on the plains. It's not. I'd called Elaine from the road asking her to let me know if anything came out through the e-mail that I should know. She calls me back while I'm at the county building. She tells me the contents of the latest Forest Service press release. Listening to her talk about acreage and ground crews and aeroplanes and windspeed it just dawns on me -- *that's* not the story. The *story* is what the people in the little general stores are saying. It takes me hearing fire statistics being read over my cellphone while *feeling* the wind in my face and smelling the fire miles away in the air to *see* that. She gives me two numbers for the Red Cross and I call.

The guy who answers is nice but obviously doesn't know the town. "It's on the main street", he tells me. "You mean Fifth?" I ask. He answers "oh, does it even have a name?" It does. He doesn't know it. And it's actually *not* on the "main street". I find the post office, go in, and an older lady with *amazing* hair straight out of the 1870s tells me "go out this way, and you'll see it right down there". (I *love* small town post offices -- with reason.)

It's in the community center -- which was built in 1935 by the Works Progress Administration. It's utterly charming -- pueblo revival -- very simple, very functional, but very, very beautiful as well. Lots of attention to detail in these old WPA buildings. Appropriate to place, and built to human scale. It's got exposed wooden ceilings in a style modelled on vigas and latillas, and the ceiling of the gymnasium has these amazing rafters. The floor of the gymnasium has eight cots on it, a few tables, lots of plastic bottles of water, piles of clothes, snacks, and coffee. There's only one evacuee in the building and he's clearly not interested in talking to anyone.

The gentleman who talks to me strikes me as good and sincere but he can't, or won't help me. I get one-word answers to even the most simple and preliminary questions. "When did you open?" / "Monday." / "So about how many people would you say have come through?" / "Seventy-four." / "So how is everybody holding up?" Then he asks me "are you familiar with the Red Cross? With its mission, and its structure?" Jeezus. The story of the Red Cross ain't the story that I'm after. We exchange a few pleasantries but finally he tells me I need to talk to his supervisor, who's in ALBUQUERQUE but who's on his way and if I want to stick around for a couple of hours maybe *he* can answer some of my questions. You would think I'd asked him a trick question like "did you kill her before or *after* you took the money?" Call me crazy but I ain't stickin' around for two hours to talk to people who don't want to talk to me only to talk to someone I could have talked to in fuckin' Albuquerque. I've got to go ON AIR.

Drive back. Witness my first bomber actually drop slurry on the fire. Pictures don't do it justice. They take this HUGE old plane and fly it 'round and 'round in circles 'til it's practically scraping the tops of the trees and FWOOSH drop this big old amount of slurry -- red stuff -- fire retardant. Damn, that takes guts. And compared to the size of the fire it looks like about a teaspoonful of cough syrup.

Need to stop and think, see a sign leading to Oak Flat picnic area in the Cibola National Forest. Screw it -- my story's just falling apart, and I've been driving for hours. This is *nuts*. *I* am nuts. Get to the picnic area and figure "what the hell's the big deal, it's just a big old bunch of trees". I stop the car to get out and read the Forest Service's warning signs.

Silence.

No -- wait -- that isn't silence -- that's wind blowing through the pines. Sounds like the ocean. I decide what the heck, drive up to one of the picnic sites and get out and explore.

I do so. The forest is so overgrown I have to walk and walk before I find a place where I can penetrate it. I do. A few yards in I find myself looking at the forest floor. I've been looking for all the wrong things. I haven't *understood* something about what's *happening*. The forest floor in this tiny clearing is *covered* with dead pine needles. Pine cones. Oak leaves. Some other leaf I don't recognize. A few baby trees are poking up, but none more than a couple of inches. The older trees themselves are dry. Snags litter the ground. It's beautiful. Suddenly I am in another world, entirely.

Then suddenly the wind picks up again. I don't know how else to explain it other than to say I have a "Bambi moment". I can *smell* the smoke, *very* faintly. I imagine I can *hear* the fire. Suddenly I find I'm *terrified*. The fire is *miles* away. But *that's* the *same* wind that is *driving* the fire. And those dry things -- that's "fuel". I *literally* rush back out to my car and drive away at breakneck speeds.

Half a mile away it *hits* me -- *that's* the story. Get *that sound*. The sound of the roaring wind. I might be able to use it. I calm down enough to realise I'm not in any immediate danger and go back out to the spot and go in, even a little further, to a grove of pines around lichen-covered rocks. It's magical. And it overlooks a wide valley with nothing but trees for as far as the eye can see. I get my sound. I go back out.

I decide finally to go back to one or both of the general stores. At the first I get a frito pie. But it's not set up right to talk to anybody. It's small and crowded. So I just shut up and listen.

Finally make it back to the first. Actually, I overshoot it, meaning I have to drive back for maybe ten miles on this *crazy* curvy road. It's easy to miss things on 337 -- you keep your eyes on the road. Or you die. That simple. I'd bought something there before, and think I made a decent impression. Business owners seem to have a way of liking people who spend money in their stores. It's a kind of diplomacy I can understand. And the owner said she loved my station. That sure didn't hurt, either.

When I go back, we talk some more about the fire, the shelter, this and that. I ask her if she'd be willing to let me record her.

I *love* mountain people. They're freindly -- give you the shirt off their backs kind of people -- but shy. Even, maybe, a bit private. The mere *mention* of "record" or "microphone" or "broadcast" seems to make them self-conscious. She declines. So does the lady with her. They'll tell me anything and everything. But not on mic. "But wait", she says. She knows *one* person who will talk to me. I need to talk to Fred.

What she does then qualifes her, in my mind, as a dedicated reporter. She pulls out two *huge* rolodexes *stuffed* with cards and systematically goes through one while the other lady with her goes through the other. No Fred, there. Then it's on to the *other* filing system -- the "guest checks" -- of which there are literally *hundreds* in piles -- I have *no* idea how this system works for her, but obviously it does.

Except they can't find Fred's phone number.

So they call someone else.

That someone else has Fred's number, and gives it to her.

She calls Fred. I figure "give her some privacy" so I peruse the goods. You really can get everything you need here.

She says "Fred's on his way".

Wow.

Fred shows up. Tells me amazing stories about a family member who chose to stay with his house inside the evacuation area. The house got threatened three times, from three different directions. It's now burned out on all sides, except one -- the leeward. (Currently.)

It's a good interview. Lasts 14 minutes. Fred's very kind, and very sharing of everything that he knows.

The ladies inside the store are getting busy with the lunch rush but ask me when the story's gonna air. This is a common question, and the standard answer is "I can't say, for sure." This time, I confidently tell her in no uncertain terms "between five and seven tonight, not sure when, exactly".

Back to the station.

One rumour I heard from *several* people over the course of the day is that one of the reasons people aren't leaving their homes is because they want to fend off looters. One of 'em (who I won't name) even mentions the Torrance County Sheriff as a source, saying he'd arrested four people in the evacuation zone for looting. But the people on the ground -- evacuees and non-evacuees alike, aside from not knowing what's been burnt, are positively *buzzing* with stories of looters emanating from phone calls from behind the lines of the evacuation zone. What's going on in there is *anybody's* guess.

Now to do the things best done from a desk with a telephone.

I call the Torrance County Sheriff. The woman who answers the phone is genuinely *shocked* to hear what I'm asking about, hasn't heard anything about it. Gives me a number for Central Dispatch.

Central Dispatch says they haven't heard anything about that sort of thing but call such-and-such *different* number and ask to talk to the Public Information Officer (PIO).

I call at least three dozen times in rapid succession. Busy. Every time.

Finally call up the Bernalillo County Sheriff's office 'cause I've *also* heard that they were helping out. The person there who picks up the phone tells me she doesn't even know whether they're helping out in Torrance County but I should definitely talk to *that* Sheriff's PIO.

I do. *She* says they *are* helping, but haven't heard anything about arrests for looting and tells me I need to talk with the PIO from the State Forestry Division, and helpfully finds his number for me.

I call him. He doesn't know anything about looting, either, but says I should call the Forest Service's central Public Information Office instead since it's "their fire" (it's burning mostly on National, not State forest land).

I call the Federal Agency and dial the wrong number only to find out the poor woman on the other end of the phone has gotten *several* calls that same day asking her about a forest fire. She doesn't know anything about the forest fire, except that people keep calling up to ask about it. She runs a sign company. But she's very good-humoured about it.

I apologise to her -- it's clear that *I* was one digit off. Not the press release. Me. Apparently a bunch of other people were, as well.

I try the number again. I get right through on the first try. The Forest Service PIO hasn't heard anything about looting but says she'll make some calls on her end and get back to me.

Maybe half an hour later, she does. She tells *me* about the runaround *she* got and then gives me a number for -- Torrance County Sheriff's Central Dispatch -- the second number in this numbers game. Right? Wrong! She reads the first three digits. I read the last four back to her. Nope. I'm honestly not hopeful at this point, having already gotten one phone number wrong myself, but thank her, hang up, and try the number *she* gave me *anyway*. Central Dispatch in the Torrance County Sheriff's Department really *does* have *two* different phone numbers.

I get straight through.

The officer who answers tells me he'd heard from someone else just a few minutes before that someone was asking about looting (someone I'd asked about it, I'd bet) and tells me that the Sheriff *is* the PIO in Torrance County, and that while he's on the fire right now, if I'll give him my phone number he'll have him call me right away.

KICK ASS.

A few minutes later the phone rings and I *know* before I pick up who it is.

The Torrance County Sheriff (forgive me for not using everybody's name in writing this) tells me in no uncertain or wavering terms that he has received *no* reports of looting and has made *no* arrests in connection with reports of looting. He does explain he did make one unrelated arrest along the evacuation zone's northern boundary, and all but begs me to get the word out that the rumours of looting are just that -- rumours. He takes his time, answering questions, too. I forget to ask a few. But, heh, we're all hearing the wind and smelling the smoke.

Apparently rumours can spread like wildfire, too.

So -- *that* is a reporter's job as well. Or at least part of it. To check out every even slightly suspect fact. I could have "broken" a story about looters in the evacuation zone because I "liked" the people I was talking to, and the word would have spread back into the evacuation zone that the radio news was now reporting that the looters were in fact real. And people -- whether they were listening to me directly or not -- might have decided to stay with their homes in the face of the flames to protect against looters, since now they weren't just hearing it from their neighbours but on the news.

Those people inside the evacuation zone don't have the *luxury* of double-, triple-, and quadruple-checking everything they hear. I may be worn ragged, but damn it dude. That woman at the general store got me in touch with Fred. The least I can do is replicate her effort in my own way.

The leading headline for both hours is that the looting is a rumour.

There are also two amazing sound clips from Fred, for the benefit of everyone else who's not threatened by the fire, about his relative's story on the one hand, and about how "mountain people" (his term) live -- accepting that fire just "goes with the territory".

I read it live. Both hours. I *know* I sound a little tired. I am. But I feel good about what I have done. Who knows what it might accomplish.

The inappropriately comic moment this evening occurs when ten minutes to broadcast the AP wire sends out about six important stories I *don't* have anything worked up on.

I get interruped briefly while rewriting one, about a lobbyist representing the company that's building the uranium enrichment facility outside of Eunice having paid for the Attorney General's hotel in Holland.

Ever noticed how "l" and "o" on the one hand, and "k" and "i" on the other are *right* next to eachother on the keyboard?

Well, no, neither did I, at least until tonight, when I was on the air, reading a story about money in politics involving foreign countries and actually SAID ON AIR that such-and-such lobbyist representing such-and-such uranium company paid for 140 "dikkars" worth of *something* for the Attorney General.

Uhm. What!?

My brain goes off -- rapid-fire -- as I'm already reading the next sentence, which is all about uranium processing and commercial nuclear reactors. Even as I continue reading, I think -- "What's the foreign currency in Holland? Oh wait -- it's Guilders, isn't it? Or maybe now it's Euros? Dikkars? What the hell country is *that*? OH SHIT! THAT'S NOT A CURRENCY! THAT'S A TYPO!!!!!"

I chuckle a bit as I finish the story -- but quickly realize uranium's no laughing matter -- so I just move on.

NO APOLOGIES, BABY.

01 May 2008

Pics!

From the AP awards banquet last week: here. Proof, as though any were needed -- we're not TV material! I'll give you three guesses who the total freak in that lineup is. ;^)

But seriously -- it's wonderful to *have* these pictures being *taken*! And it's wonderful how Adrian Martin is maintaining -- no -- *improving* the News Department's profile on the station website. Constantly. She's so quiet and unassuming, working in her little corner, and we never really *know* what she's working *on* until we go and actually look at the website. Then outta nowhere we're all kinda like -- oh -- wow -- that's really amazing! *Huge* morale booster.

There are more pics at the "AP Awards List" link underneath the blurb. The popup window that's too small to accomodate the pictures kinda sucks, but that's not Adrian's doing. (At least it's resizeable.)

"Meet the KUNM News Staff" is interesting, too, with pics of us in studio. Alas, you can only get to that by clicking on the link in the tiny popup window that appears, and I can't seem to find a link to it directly. Again, this circa '97 homebrew website ain't Adrian's work, it's what she has to work *with*. But heck. It's public radio, ya know!

And just for the record -- left to right, it's Jim Williams, Elaine Baumgartel, Adrian Martin, Sam Irons, Devon Armijo, and me.

My only regret from that otherwise wonderful evening is that nobody saw my utterly exquisite silk "bullfighter" suspenders from England. :^)

I *hate* this fuckin' fire.

Not to be emotional about it. But it's *exhausting*. I got three hours of sleep last night and spent much of today on the phone, then rewriting, and rewriting some more as the story kept changing -- for the worse. It was 95% contained yesterday, but then the winds kicked up and blew embers a clear half mile across the fire line on the fire's north side. Yesterday morning it was 48-hundred acres. Now it's *11-thousand*. Evacuations are in place from Tajique to south of Torreon. It's moving east by northeast, generally. But the winds are still both strong and shifty.

How did I get myself into this? I got licked in the face by a wolf. That's how. Go figure.

Special thanks to Rufus Cohen for reading the copy I wrote up during his Afternoon Free Form! He absolutely *didn't* "have to" do that. I hate to ever barge in on someone else's show and tell them what to do -- and really, have no right to do so. But mentioning evacuations and shelters is kinda very much in the public interest -- and he *understood* that. Not everyone does.

Of course, the EAS *never* went off. Not even *once*. And the whole fire, and the whole evacuation area, is within the broadcast range of our main transmitter.